Awards:
2016: Second Prize, 15th Minamishimabara Shugakuin Contemporary Print Exhibition
2017: First Prize, Japan ARK Art Award Exhibition
2019: Gold Prize, Lujiazui “Meiyuan Cup” Shanghai International Exlibris Invitational Exhibition
2020: Third Prize, 11th Hida Takayama International Contemporary Woodblock Print Triennial
2022: Overseas Engraving Award, “SWE 84th Annual Exhibition” (UK)
Solo Exhibitions Held at:
Yamaki Art Gallery (Osaka), SHIROTA Gallery (Ginza, Tokyo), Lujiazui Financial City Art Museum (Shanghai), Dalian Art Museum (China), Art Gallery of Kintetsu Department Store Uehonmachi (Osaka), Art Gallery of Matsuzakaya Department Store Ueno (Tokyo), among others.
Xu Beihong’s life was deeply intertwined with the fate and rise of his nation. He embodied great patriotism, selfless dedication, relentless artistic innovation, and a keen eye for nurturing talent. His legacy reflects an unwavering spirit of independence, moral integrity, and enduring inspiration. (Engraved in the central hall of the Beijing Xu Beihong Memorial Hall)
Xu Beihong was a leading Chinese artist and art educator, known as the “Father of Modern Chinese Painting.” He was the first president of the Central Academy of Fine Arts and chairman of the China Artists Association. His works, including Tian Heng and His Five Hundred Followers 《田横五百士》, Waiting for the Deliverer 《徯我后》, and The Foolish Old Man Removes the Mountains 《愚公移山》, laid the foundation for modern Chinese oil painting with their unique blend of Chinese style and Western technique.
He believed art should reflect real life and combined Chinese traditions with Western methods to create a new, influential style. Xu Beihong not only produced many masterpieces but also trained a generation of outstanding artists, shaping China’s modern art education system. His efforts promoted Chinese art worldwide, leaving a lasting legacy.